Despite a stellar cast and lofty ambitions, Joachim Trier’s latest outing, Sentimental Value, is a cold, slow exercise in self-importance.
Clint Bentley’s adaptation of Denis Johnson’s novella, Train Dreams, depicts a logger’s lonely life through Joel Edgerton’s understated, soulful performance.
'Fucktoys' is audacious, filthy and frequently fascinating, but its pace and plotting detract from its chaos.
Searchlight’s cross-cultural dramedy, Rental Family, turns a fascinating premise into manipulative mush.
Wake Up Dead Man has a killer cast, master plotting and style to spare in a divine murder mystery worth confessing to again and again.
Ballyhoo Table & Stage will have its grand opening on November 1 from 10 a.m. to 3 p.m. at 3300 Tejon Street, Denver.
Plus Julia Tobey on Ballyhoo, Top 10 Colorado Headliners and more spooky season stuff
The Catamounts’ witty, site-specific performance mixes local history with ghostly fun at DeSpain Schoolhouse.
Disney’s The Lion King returns to the Buell Theatre with stunning visuals, timeless music and an impressive cast.
While the script is razor-sharp, shaky performances and cramped staging by Flamboyán Theatre and The Three Leaches blunt its impact.
The Fox’s musical about Lizzie Borden stuns with bold visuals and music but simmers more than it slashes, leaving a stylish but uneven impression.
Just a bit of news and reviews from around the theatre community
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