ReviewsAlex Miller2026-05-10T19:12:58-06:00

Reviews

‘Much Ado About Nothing’ gets Shakespeare right in Brighton

Set in post-WWII Italy, Platte Valley Theatre Arts' lively Much Ado leans into innuendo.

By Toni Tresca|May 12, 2026|

In ‘Somewhere,’ a Puerto Rican family chases the American Dream

2026-05-11T10:08:52-06:00By Alice Kaderlan|

Miners Alley serves up good old-fashioned comfort theatre

2026-05-10T10:40:34-06:00By Toni Tresca|

‘The Sandman’ is not Wonderbound’s first rodeo

2026-05-10T10:28:53-06:00By Toni Tresca|

A ‘Madama Butterfly’ for our moment

2026-05-07T14:36:41-06:00By Alice Kaderlan|

Strong voices, shaky drama in ‘Jagged Little Pill’

2026-05-07T14:01:22-06:00By April Tooke|

Two cousins, three days and a lifetime to unpack in ‘Furlough’s Paradise’

2026-05-04T12:28:24-06:00By Garth Gersten|

In Boulder, ‘Mary Jane’ is a satisfying emotional exploration of parental stress

2026-05-05T06:03:24-06:00By Garth Gersten|

Cheer, blood and belting in ‘We Are the Tigers’

2026-05-08T12:29:44-06:00By Toni Tresca|

‘Crossroads’ immersive play confronts foster care realities

2026-05-08T12:30:19-06:00By Toni Tresca|

‘Tartuffe’ finds some laughs after a slow start

2026-05-08T12:30:46-06:00By Toni Tresca|

Candlelight’s ‘Anything Goes’ taps into old-school spectacle

2026-05-07T15:49:23-06:00By Toni Tresca|

A mobile museum that demands reckoning

2026-05-08T12:31:33-06:00By Toni Tresca|

‘English’ at DCPA centers Iranian identity beyond the headlines

2026-05-08T12:31:50-06:00By Toni Tresca|

Murder Prohibited’ turns a historic mansion into an engaging whodunnit

2026-04-28T12:08:50-06:00By Danielle Riha|

Monsters and mystery in an immersive experiment

2026-04-22T13:47:19-06:00By Danielle Riha|

‘Hell’s Kitchen’ is a mixed bag at the Buell Theatre

2026-05-08T12:32:05-06:00By Toni Tresca|