CU Boulder’s ‘Working, A Musical’ celebrates society’s unsung heroes
In the newly renovated hall of the Roe Green Theatre, CU Boulder’s Department of Theatre & Dance presents a powerful tribute to the soul of the American workforce in Working, A Musical. Against the backdrop of labor strikes that have defined 2023, this production emerges as a poignant anthem to the tenacity of workers’ rights and the unyielding spirit of the everyday heroes who fuel the nation’s heartbeat.
Based on Studs Terkel’s seminal work, this production delves deep into the lives of America’s unsung heroes, capturing the essence of the working class in a modern age. Under by CU Theatre professor Bud Coleman’s expert direction, the show comes alive with energy and purpose, exploring the diverse experiences of individuals from various walks of life.
One of the standout features of this production is the ingenious use of the “localized” version of Working. By incorporating interviews with current employees in the local community, including members of Colorado’s ski industry and students who navigated the challenges of the pandemic, the show gains a unique and authentic perspective. This innovative approach adds layers of depth to the narrative, making the audience feel intimately connected to the characters’ struggles and triumphs.
Read Toni Tresca’s Boulder Weekly feature for behind-the-scene information about the musical.
At the heart of CU Boulder’s production of Working, A Musical lies a remarkable 11-person ensemble cast whose performances breathe life into the diverse array of characters, embodying the essence of the American workforce. With every actor skillfully portraying multiple roles, the stage comes alive with a vibrant tapestry of experiences, showcasing the undeniable talent and versatility of the entire ensemble.
These gifted performers, all accomplished singers, transform the occasionally clunky lyrics into melodic poetry – the music is interviews set to music; what’d you expect? – infusing the production with genuine emotion and authenticity. Their ability to navigate the intricacies of the show’s songs elevates the storytelling, allowing the audience to connect with the characters on a profound level. The chemistry among the cast is palpable, creating a harmonious synergy that enhances the overall impact of the production.
Behind this stellar cast, the technical elements of the production shine brightly. Jonathan Spencer’s scenic design and lighting transitions deserve a standing ovation. The versatile two-story set seamlessly transforms into a myriad of workplaces, from schoolrooms to factories, thanks to Spencer’s creative vision and the sharp lighting cues.
Coleman’s directorial prowess shines through, breathing life into what could have been a static piece, infusing it with dynamic energy and movement. While Sophia Morris’ costumes are solid, the challenge arises from the ensemble’s portrayal of highly specific characters. At times, it proves tricky to identify the professions of the actors, but this minor flaw is overshadowed by the overall strength of the production.
Photo: RDGPhotography
UptownWorks’ sound design subtly establishes the mood of each workspace, immersing the audience in the varied environments, while props designer Emily Littlefield adds delightful touches with an array of hand props, enhancing the actors’ performances.
A special mention must be made for the live band comprising Andrew Fischer, Brian Jaffe, David James and Brad Wagner, who provide the perfect backdrop for the talented performers on stage.
Working, A Musical, in the midst of a summer and fall marked by strikes, emerges as a timely and essential piece of theatre. It serves as a powerful reminder of the resilience and tenacity of the working class, offering a rare opportunity to witness a well-crafted and thought-provoking musical production. Under Coleman’s expert direction, CU Boulder’s Department of Theatre & Dance delivers a heartfelt and compelling rendition that allows the voices of those who toil tirelessly to take center stage.
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