ReviewsAlex Miller2026-05-10T19:12:58-06:00

Reviews

Balanchine’s ‘Concerto Barocco’ shines in Colorado Ballet’s ‘MasterWorks’

Mixed-bill program pairs pure Balanchine with a muscular 'Rite of Spring' and a world premiere from Yoshihisa Arai

By Alice Kaderlan|Apr 14, 2026|

Watson rises in this comedic Sherlock Holmes tale

2024-10-26T13:44:39-06:00By Alex Miller|

Planning the perfect murder

2024-10-24T09:56:19-06:00By Eric Fitzgerald|

‘Make Believe’ showcases two comics in perfect sync

2024-10-22T16:26:40-06:00By Kevin Douglas|

In Evergreen, ‘Spirit Level’ is silly, supernatural fun

2024-10-22T09:40:40-06:00By Alex Miller|

Wonderbound goes to hell and back with ‘Devil’s Crush’

2024-10-26T18:24:34-06:00By Alice Kaderlan|

At Phamaly, crowns of glory to behold

2024-10-23T18:44:34-06:00By Jimmesha Lenhoff|

Elvis, Carl, Jerry and Johnny walk into a recording studio …

2024-10-21T10:27:35-06:00By Eric Fitzgerald|

Chasing the elusive ‘Latino’ vote in ‘The Ballot of Paola Aguilar’

2024-10-20T12:32:56-06:00By Alex Miller|

This production of ‘The Prom’ has a dark side

2024-10-15T16:35:00-06:00By Eric Fitzgerald|

‘Funny as a Crutch’ draws humor from disabilities

2024-10-16T08:16:54-06:00By Alex Miller|

An evening stroll with ‘The Last Night of Red Barker’

2024-10-14T18:05:40-06:00By Alex Miller|

A playwright depicts his Jewish-Iranian mom in ‘Avaaz’

2024-10-14T11:32:32-06:00By Alex Miller|

A bloody-good ‘Dracula’ at the Arvada Center

2024-10-11T10:17:49-06:00By Alex Miller|

Sharp, fast and clever: ‘Around the World in 80 Days’

2024-10-09T16:34:31-06:00By Eric Fitzgerald|

OpenStage’s ‘October Surprise’ is a combative world premiere

2024-10-08T16:09:31-06:00By Kari Redmond|

Firehouse kicks off its season in top form with ‘The Girl on the Train’

2024-10-08T11:38:33-06:00By Eric Fitzgerald|

Previous 171819 Next