‘PUF’ laughs at gender conformity … and wins
At Two Cent Lion, Olivia Buntaine’s new comedy imagines gender fluidity during the American Revolution and finds the past uncomfortably familiar.
At Two Cent Lion, Olivia Buntaine’s new comedy imagines gender fluidity during the American Revolution and finds the past uncomfortably familiar.
Plus the latest theatre news and reviews and a few thoughts on the passing of the Grateful Dead’s Bob Weir.
Production features impressive technical design but some uneven performances.
Terence Anthony's world premiere at the Denver Center is a gripping, if slightly disjointed, story about freedom in the uneasy aftermath of slavery.
Annie Barbour shines in BETC production of John Patrick Shanley’s play.
The Catamounts’ Colorado premiere of Jay Torrence’s Burning Bluebeard transforms the Carsen Theater into a playful, unsettling meditation on why live performance matters.
Revised Neil Simon Play still works in Miners Alley production
Talking with robot researcher and improv comedian Dr. Tom Williams, plus more on the Parker Shrek controversy, Top 10 Colorado Highliners and more.
Production at the Ellie Caulkins Opera House is a visual feast replete with stellar performances.
Springs Ensemble Theatre stages Lucy Kirkwood’s post-disaster drama an intimate setting that pulls the audience into every uneasy exchange.
Colorado debut of Donnetta Lavinia Grays’ one-person play features impressive design but struggles to deliver a clear, compelling story.
Powerful performances and evocative design elevate production of this absurdist play about waiting.