‘mother : un/tethered’ is 32 remarkable minutes
HOLDTIGHT’s first major film is a gorgeous, moving distillation of what the interdisciplinary company does best.
HOLDTIGHT’s first major film is a gorgeous, moving distillation of what the interdisciplinary company does best.
The Tony-winning production storms the Buell with bruising movement, while a bland score keeps its emotions at arm’s length.
Geoffrey Kent and Jacque Wilke play a power couple in the worst possible way in the stage adaptation of Stephen King’s novel.
Roshni’s world premiere uses a bus route to tell the community’s stories, though the ride gets a little rough at times.
Colorado artist brings it home with a two-night stand at the Rocks
Denver company completes its dance trilogy with a 32-minute "art documentary" at the Sie FilmCenter.
Ryan Glaser’s Brindlewood is a charming folk musical that proves small-scale theatre can cast a big spell.
The former pro surfer delivered a comforting acoustic set with hits from the early 2000s.
Sharp script, direction and performances need no sleight of hand.
Absurd Rodeo Theatre's backyard staging of The Grown-Ups makes this unsettling comedy feel immediate and essential.
Insight Colab Theatre's inventive radio-play format brings a real family cold case to life, even if the ending never surprises
American Crossroads Theatre’s Colorado debut is packed with powerful piano playing, but this breakneck mystery is hard to follow.