‘The Weir’ is a slice of life (and death) in an Irish pub
BETC’s 110-minute drama centers grief and companionship in a well-acted evening of haunting stories.
‘No Contract’ can’t escape the tragedy of dementia
Kirsten Wilson’s No Contract finds piercing truths about dementia but runs nearly three hours and loses its theatrical shape.
Inside the Kennedy Center shit show: A conversation with DC Theater Arts’ Nicole Hertvik
The editor of DC's leading theatre site explains what the Kennedy Center means to Washington, what's become of it and why the DC theatre scene is definitely worth the trip.
Towa Bird brings guitar heroics and queer joy to the Marquis
The singer-songwriter and guitarist had women swooning over her impressive guitar skills in Denver.
Josh Blanchard makes a triumphant return in Theatre SilCo’s ‘The Catastrophist’
A solo performance staged just three days after shoulder surgery becomes a aptivating night of theatre.
Lily Allen builds aching, musical one-woman show at Red Rocks
The singer-songwriter and actress traverses the stages of grief and ignites potent female rage.
DCPA’s ‘Destiny of Desire’ speaks fluent telenovela
Karen Zacarías’ Colorado premiere finds real feeling and big laughs in a whirlwind of mistaken identities.
Bad theatre? Yes, please!
For its upcoming 'Bad Theater Night,' One Night Stand Theater’s Jim O’Leary and playwrights Linda Berry and Vanessa Bowie talk backstage disasters, audiences behaving badly and the joys of writing short.
Bright Heart and Shifted Lens throw one hell of a ‘Wild Party’
The Wild Party is a seductively staged musical that puts you in the middle of the action.
Dumb humans vs. spiteful dinosaurs = cheap laughs
At the Denver Center Garner Galleria, Hold On To Your Butts lampoons Jurassic Park.
A cheerful landing: ‘Come From Away’ soars at the Fine Arts Center
A tale of 7,000 stranded strangers becomes an ensemble showcase for Fine Arts Center Theatre Company.
Podcast: AI & theatre: Where do we draw the line?
Alex and Toni tackle the question everyone's asking: what does AI mean for theatre? Plus an interview with Anne Penner and Brian Pertl on DU's new Lamont School of Music and Theatre.
