ReviewsAlex Miller2026-05-10T19:12:58-06:00

Reviews

A ‘Madama Butterfly’ for our moment

Opera Colorado's gorgeous production, anchored by Eri Nakamura, reframes Puccini's warhorse as a story of survival.

By Alice Kaderlan|May 7, 2026|

‘Where We Stand’ at Theatreworks is visually striking but dramatically adrift

2026-02-01T13:34:51-07:00By Toni Tresca|

‘Waiting for Godot’ at Aurora Fox is a faithful staging of Beckett’s classic

2026-02-01T18:38:06-07:00By Toni Tresca|

Candlelight’s ‘Hello, Dolly!’ makes a golden-age musical shine

2026-03-14T09:07:47-06:00By Toni Tresca|

Finding the bright side in a scrappy, silly and successful ‘Spamalot’

2026-01-28T10:42:05-07:00By Matthew Schultz|

‘Cowboys and East Indians’ finds plenty of heart in Wyoming’s wide-open spaces

2026-02-05T14:00:03-07:00By Toni Tresca|

‘Revolt. She Said. Revolt Again.’ dares Denver theatre to get uncomfortable

2026-01-23T07:35:19-07:00By Toni Tresca|

‘Legally Blonde’ proves a smart, stylish fit at The Arts Hub

2026-01-21T11:08:33-07:00By Toni Tresca|

‘Shrek’ at the PACE Center is a big, boisterous behemoth of a show

2026-01-19T17:15:16-07:00By Toni Tresca|

‘Mixed Messages’ blends film and stage in an ambitious, TV-inspired experiment

2026-01-19T10:30:24-07:00By Danielle Riha|

‘Bad Books’ plies fertile ground in the censorship debate

2026-01-14T16:14:01-07:00By Alex Miller|

‘The Shark is Broken’ treads water, but it’s a fun swim

2026-01-13T15:57:28-07:00By Garth Gersten|

OpenStage’s ‘The Mousetrap’ traps Fort Collins in chilling suspense

2026-01-13T15:23:36-07:00By Toni Tresca|

Performance Now’s ‘South Pacific’ is a majestic, big-hearted revival

2026-01-13T15:24:30-07:00By Toni Tresca|

‘The Notebook’ is an overproduced, underwritten mess

2025-12-28T07:58:49-07:00By Toni Tresca|

Sharp, fast-paced and witty, it’s ‘Yule Be Naughty’ in the Springs

2025-12-28T08:25:29-07:00By April Tooke|

Ballet Ariel’s ‘Little Women’ shines, while ‘Nutcracker Suite’ feels like an afterthought

2025-12-28T08:25:45-07:00By Toni Tresca|

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