ReviewsAlex Miller2026-05-10T19:12:58-06:00

Reviews

‘The Sandman’ is not Wonderbound’s first rodeo

Though this revival loses some of its emotional heft, The Sandman still thrills.

By Toni Tresca|May 8, 2026|

‘9 to 5’ is a funny, feminist crowd-pleaser

2026-03-05T12:38:43-07:00By Toni Tresca|

‘My Mother and the Michigan/Ohio War’ mines laughs from grief and rivalry

2026-03-14T09:01:50-06:00By Toni Tresca|

‘The Roommate’ pairs an odd couple to deliciously dark effect

2026-02-18T16:51:35-07:00By April Tooke|

The devil’s in the details in ‘H-E Double Crooked Letter’

2026-02-20T15:07:51-07:00By Alex Miller|

Arvada Center’s ‘Romeo & Juliet’ brings the feud up close

2026-03-14T09:00:48-06:00By Toni Tresca|

‘Fierce Satire and Mediocre Sex’ delivers a night of laughs at Buntport

2026-02-20T09:06:54-07:00By Garth Gersten|

Stoned ‘Romeo and Juliet’ struggles to find its buzz

2026-02-16T11:38:15-07:00By Toni Tresca|

‘Water for Elephants’ is a stunning circus story perfect for the stage

2026-02-13T10:56:47-07:00By Toni Tresca|

‘PUF’ laughs at gender conformity … and wins

2026-02-10T15:14:33-07:00By Danielle Riha|

‘The Game’s Afoot’ brings comedy and mystery to StageDoor in Conifer

2026-02-09T10:53:11-07:00By Garth Gersten|

‘Godspeed’ reshapes the Western revenge epic

2026-02-23T06:58:29-07:00By Toni Tresca|

‘Brooklyn Laundry’ gently explores the messiness of love and grief

2026-03-14T09:09:34-06:00By Danielle Riha|

‘Burning Bluebeard’ invites audiences into the fire

2026-02-05T12:42:35-07:00By Toni Tresca|

Female ‘Odd Couple’ proves it’s more than a gender swap

2026-02-04T13:04:30-07:00By Garth Gersten|

With ‘Gatsby,’ Colorado Ballet continues to impress

2026-02-05T11:34:20-07:00By Alice Kaderlan|

In ‘The Children,’ SET places audiences inside an uneasy post-nuclear reunion

2026-02-02T14:13:38-07:00By Toni Tresca|

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