ReviewsAlex Miller2026-05-10T19:12:58-06:00

Reviews

In Boulder, ‘Mary Jane’ is a satisfying emotional exploration of parental stress

BETC’s production highlights hope and community.

By Garth Gersten|May 4, 2026|

‘Sentimental Value’ Review: Overhyped famous family drama is a hard watch

2025-11-04T17:47:04-07:00By Toni Tresca|

‘Train Dreams’ Review: Clint Bentley finds quiet grandeur in loss and landscape

2026-05-03T13:36:49-06:00By Toni Tresca|

‘Fucktoys’ Review: Annapurna Sriram’s gritty, surreal debut gets lost in the trash

2025-11-04T18:04:18-07:00By Toni Tresca|

‘Rental Family’ Review: Sentimentality smothers substance in Brendan Fraser’s latest misfire

2025-11-04T18:05:37-07:00By Toni Tresca|

‘Jay Kelly’ Review: Noah Baumbach’s bittersweet portrait of fame, family and friendship

2025-11-04T18:07:54-07:00By Toni Tresca|

‘Wake Up Dead Man’ Review: New ‘Knives Out’ is the sharpest of the bunch

2025-11-04T18:09:29-07:00By Toni Tresca|

‘A Town Called Harris’ haunts Westminster in an immersive mystery

2025-10-30T14:05:07-06:00By Toni Tresca|

‘The Lion King’ roars back to Denver with dazzling spectacle

2025-10-30T14:05:38-06:00By Toni Tresca|

‘The Motherfucker with the Hat’ struggles with space and pacing

2025-10-30T14:06:18-06:00By Toni Tresca|

Aurora Fox’s ‘Lizzie’ mixes punk fury with slow-burn storytelling

2025-10-30T14:06:47-06:00By Toni Tresca|

A farce with a lot of heart — ‘Diva Royale’ at Miners Alley

2025-10-30T14:08:26-06:00By Alex Miller|

Wonderbound jams out with Garrett Ammon’s ‘Rock Ballets’

2025-10-18T18:58:30-06:00By Toni Tresca|

‘Nosferatu’ comes alive with Quarkestra’s dynamic original score

2025-10-17T15:10:33-06:00By Toni Tresca|

The Creature has its say in ‘Frankenstein’

2025-10-30T08:47:37-06:00By Alex Miller|

Phamaly’s ‘Dance Nation’ plays it safe

2026-03-05T12:41:37-07:00By Toni Tresca|

DCPA’s ‘Cat on a Hot Tin Roof’ is a masterclass in family dysfunction

2025-10-15T08:43:52-06:00By Alex Miller|

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