The devil’s in the details in ‘H-E Double Crooked Letter’
Firehouse Theater takes a big swing with a Southwestern tale of hell.
Firehouse Theater takes a big swing with a Southwestern tale of hell.
A lean, modern staging sharpens Shakespeare's tragedy, though its bold cuts may challenge newcomers.
Eight stories lead to varied results in And Toto too’s production of Edith Weiss' collection of short plays.
News from the state’s preeminent new play festival, plus Missy Moore’s production of 'K2' at Thunder River and Top 10 Colorado Headliners
Bowls with the Bard's take on R&J has flashes of innovation but lacks a clear vision to support its premise.
At the Denver Center’s Buell Theatre, the national tour turns a bestselling novel into a muscular, moving stage spectacle.
At Two Cent Lion, Olivia Buntaine’s new comedy imagines gender fluidity during the American Revolution and finds the past uncomfortably familiar.
Plus the latest theatre news and reviews and a few thoughts on the passing of the Grateful Dead’s Bob Weir.
Production features impressive technical design but some uneven performances.
Terence Anthony's world premiere at the Denver Center is a gripping, if slightly disjointed, story about freedom in the uneasy aftermath of slavery.
Annie Barbour shines in BETC production of John Patrick Shanley’s play.
The Catamounts’ Colorado premiere of Jay Torrence’s Burning Bluebeard transforms the Carsen Theater into a playful, unsettling meditation on why live performance matters.